Tag Archive: wine education

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Kevin Zraly is the creator and top guru of the esteemed Windows on the World Wine School. Today he shared with me that he has a collection of articles he’s written.

Kevin is the closest thing to a rock star that the wine education world has, and he’s been kind enough to let me use some of his materials in the past when I’ve taught classes. He’s a gentleman and a scholar, and I can’t recommend his articles highly enough.

Go get them!

I shouldn’t tell you about Wine Library TV and Gary Vaynerchuk

Any wine blogger or wine web site owner knows that people are busy. We all have limited time, so we tend to gravitate toward “the best” resources online. Whenever we share a web site that we’ve found or know about, we’re taking a huge risk: people will forget about us. So, we tend not to take that risk.

I don’t care. I’m going to take it because people have to know about Wine Library TV. The host/star/producer/soul of Wine Library TV is Gary Vaynerchuk. He has absolutely blown the wine world away by his success. He owns/manages/something a wine business out east (around New York). He does roughly 5 to 7 video podcasts per week where he talks about wine (and the NY Jets and other things).

In a word, he’s nuts.

I mean that in a good way. He’s nuts about wine. He’s nuts about the Jets (I’m not, but it doesn’t matter). Most importantly, he’s nuts about bringing the joys and miracles that are wine to everyone. He can take some getting used to at first, but once you realize how absolutely freaking passionate he is about wine, you can’t help but like the guy. There are all sorts of things about his video show that may turn you off (“The Thunder Show,” “sniffy-sniff,” etc.) but they all arise out of his amazing passion for wine. He can’t help himself. He’s genuine, the real deal.

I must admit, I don’t watch every episode. Like all of you out there, I’m a busy person with stuff to do. The time available to do things online is limited.

I’m ashamed. I should watch every episode. Vaynerchuk, while not perfect, is a voice worth listening to. (And he absolutely absolutely absolutely says that you have to rely on your own palate–forget what he or me or anyone else says about a wine. If you like it, that’s all that counts.) But every time I watch his show, I can’t help but smile and be a little bit jealous of his passion and the unabashed way in which he shares it. Some feel my podcast was too, um, dull–that’s the inhibitions at work. When I get worked up about a wine, I could go toe to toe with Gary V and not even blink. But doing it publicly is a bit tougher. I absolutely love the way Gary does what he does. I don’t share his passion for the Jets (professional football–gimme a break), but he is who he is, he’s not embarrassed by it, and he loves what he does with wine.

By telling you about his video podcast and stuff, I’m risking losing some of you to his show. I hope you’ll be able to subscribe to both of our web sites, interact with both of us, recognize that we have slightly different roles to play. But I could not sit here and claim to be a wine educator if I wasn’t willing to share one of the great resources out there and turn you on to it. If I didn’t recognize GaryVee for who he is and the effect he’s had on the world of wine, I’d have no integrity at all.

So, please–check out Wine Library TV. But don’t forget this humble little resource. Enjoy the approach that both web sites take. And hey, you get twice as much for your dollar (his show is as free as this blog/old podcast is)!

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Sidebar: Swirling wine

This doesn’t quite fit in with a specific lesson, but it needs to be covered. You can’t sniff wine’s aromas if you don’t know how to swirl.

The first point is that you must have the proper wine glass. Glassware manufacturers love to come up with all sorts of fancy things that are lovely to look at, but basically stink when they are used to serve wine. They flare out (or simply straight up) and don’t give you a snowball’s chance in hell of swirling wine without getting it all over yourself.

What’s a proper wine glass? The bowl should have a tulip shape. Plain and simple. I like these, especially the magnum ones.

Next step–learning to swirl. This is what takes practice. Fortunately, the need to practice offers an excuse for drinking wine.

Basically, you want to move the bowl of the glass in a circular motion so it causes the wine to swirl up along the side of the glass. To get started, it may be easier to keep the glass on the table and move the base in a circular motion.

I prefer to do a few good quick swirls to get the wine moving and then take a few sniffs. A few more swirls, a few more sniffs.

Go ahead and take a sip.

The rest is all “rinse and repeat.” Until the glass is empty, anyway. Then you need to interrupt your practice session to refill.

Have any secrets or techniques to share? Leave a comment!

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Lesson Three: Studying wine’s aromas

“What do you smell?”

I’ve asked that question of students many times. At first, it strikes fear into their hearts, almost as if I am putting them on the spot, requiring the Correct Answer or else.

The hardest thing to get across is that there is no Correct Answer. It takes quite a leap of faith to accept that premise. We are all used to believing that what other people perceive is what we perceive as well. If I point to a sunny sky and say that the sky is blue, everyone’s perception is the same. If I smell the rotten eggs smell of a poorly adjusted catalytic converter and mention it, everyone else knows what I’m talking about. We all know what chocolate tastes like.

But when it comes to wine, it becomes more complicated, more confusing. Wine often has many aromas in the glass, and it can be hard to distinguish them. Further adding to the challenge is the fact that aromas can be ghost-like–a particular aroma will be noticeable one moment, and gone the next. It may return, or it may not. And then, of course, is the stumper–”I know this aroma, but I can’t put my finger on it.” It can be maddening. Reading tasting notes doesn’t help either–what do toasty melons smell like anyway?

It’s time for some sanity. Here’s my take on the idea of aromas.

First, don’t worry about it too much. Instead of trying to identify each aroma in the glass, study the intensity of the aromas. Are they non-existent? Subtle? Moderate? Powerful? Overpowering? Just enjoy the aromas in terms of their strength.

Second, decide whether the aromas are pleasant. If you find the aromas attractive, that’s a good sign. If there’s something the puts you off–swamp gas, musty or moldy smells, etc.–that can be a bad sign.

Third, try to generally describe the aromas. Are they floral? Fruity? Spicy? Earthy? Something else?

Once you’ve narrowed these issues down, then you can use a tool to help you better identify the aromas. One great tool happens to be free, the Wine Aroma Card published by Vinography.com. To be frank, I wish I had thought of this. But I’m glad that Alder Yarrow did and made it available to everyone. This card is something you can print out, cut to size, fold and carry in your wallet. No larger than a business card, it’s almost perfect. You can take it with you to wineries, tasting events, or just use it at home on a Tuesday evening.

A second tool is not free, but it’s well worth the low cost. The Wine Aroma Wheel is the creation of Ann C. Noble, a professor in California. It organizes aromas by broad and then increasingly narrow categories. This format works well for some, not so well for others. The disadvantage to this wheel is that its size precludes you from carrying it in your pocket, but it seems to be a bit more organized than the aroma card.

Okay, so you have a better idea now how to identify and describe wine’s aromas. But why the #!%@$ do we even care?

This is a great question. For most wine drinkers, it probably doesn’t matter if you can identify the aromas in a glass of wine. Even for most enthusiasts it may not make a difference. If you want to enjoy wine and not become too serious, don’t sweat it. Just enjoy the experience and don’t give it a second thought.

The important point here is that you do not have to be able to pick out every aroma in order to find pleasure in wine. If you want to work toward being able to identify particular aromas, then practice doing it. But if you can’t seem to get the hang of it, you can still be as much a wine enthusiast as anyone else. My own olafactory senses are not that great, but that doesn’t stop me from drinking and having fun with wine. Sometimes I can pick out an aroma, most of the time I don’t. But I don’t care.

And you don’t need to care, either. Just enjoy the wine. Over time you’ll find yourself becoming more interested in trying to distinguish the wine aromas. Maybe you won’t. But you’ll definitely enjoy the wine more if you pay some attention to the aromas.

I know my “don’t worry about it position” disagrees with many others. What do you think? Leave a comment and tell me if I’m all wet or if I might be on to something.

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Lesson Two: Studying wine’s colors

Have you finished your two weeks without wine? No? Then stop reading. No working ahead here. Finish those two weeks and then come back. I mean it. Stop..reading…right…now!

Aw hell, how am I going to keep you from reading ahead? Let’s go ahead with this chapter.

What gives a wine it’s color? Pigment.

Pigment is not a word we encounter very often. People who study skin colors probably use it a lot. So do people who work with paints. But we wine enthusiasts don’t typically think about pigment.

Fortunately, we won’t have to think about pigment for very long. As long as you can grasp the fairly simple concept here, you’ll be able to leave pigment behind. I should also point out that I have no scientific data that backs up what I’m about to say. A scientist (a chemist maybe) will tell me that I’m wrong. But what I’m trying to do here is explain a concept, so pigments are a useful tool.

Consider an aboriginal tribe that uses colored paints to decorate their faces. They get the colors from different natural sources: roots, leaves, and so on. They can crush those roots up, mix them with some water, and voila! We have a basic paint. (All paints are really made up of two things: pigment, for the color, and a binding agent that sticks to the pigment and to the surface that gets painted.)

Imagine, if you will, that a tribe member is responsible for creating a yellow paint. The tribe knows that if you dig up a particular root and mash it up, it will produce the appropriate shade of yellow face paint. Our tribe member digs up the proper root and grinds it into a perfect deep yellow color.

Before he can mix the powder with water to create the paint, however, he is interrupted by something. (We need a bit of a delay, so the interruption can’t be one of his tribe mates asking him a question. It needs to be something a bit more substantial. A stampede of some kind that causes our paintmaker to be out of commission for a few days. How about a stampede of aardvarks? That should do it.) A stampede of aardvarks kicks up immense amounts of dust, causing our tribe member’s asthma to kick up. The tribe’s shaman prescribes three days of bed rest, and our yellow powder waits patiently.

If you’ve ever left a piece of fruit sit for too long, you know what happens–it changes color. The same thing happens to our tribe’s yellow powder. After our paintmaker is well again, he goes over to his yellow powder and discovers that it has turned from deep yellow to almost a dark mustard color. What caused this? Pigment. Pigment that changed due to exposure to air for a few days. Like our changing fruit, this particular root changes color when left alone for a while.

Please say goodbye to our paintmaker and think about this. As time goes by (I hear a song in there somewhere), the pigments in the powder change and the color changes as a result. Because wine’s color is caused by pigments, you can bet that with time, the color of wine will change. That’s a good bet to make!

The color of wine gives us some information about it. Deeper, murkier colors usually accompany more flavorful wines. This, of course, is no surprise to anyone who drinks tea or coffee–if it looks watered down, it tastes watered down. The same goes for wines–if a wine looks watered down, it will more than likely taste watered down.

The color of a wine can also tell us something about the age of the wine. For a moment, we need to consider red and white wines separately. As you might guess, the two types of wine have different colors.

White wines can be described by thinking about a color spectrum. Instead of the red, orange, yellow, green, blue, indigo and violet that we see in a rainbow, we have a narrower spectrum of colors. White wines can go from being almost clear to slightly greenish with hints of yellow to pale yellow to deep yellow to gold to amber to brown. A younger wine should be closer to the clear end of that spectrum. An older wine should be making progress toward the amber end of the spectrum. A young white wine that appears brown in the glass probably has something wrong with it. It will usually end up being poured down the drain (although the bacteria in your waste treatment system will probably thank you for helping them throw a party).

Red wines, on the other hand, usually start out very deep and dark purple. From there they become more like a ruby color, then garnet, then brick red, then brown. Like with white wines, a young wine that appears to be brown may end up saving the bacteria from having to make a beer run. A young red wine should be more toward the purple and ruby end of the spectrum. Don’t forget, too, that the more intense the color, the more intense the wine should be.

Are you ready for your next homework assignment? Brace yourself–you’re going to need two different wines of the same color, i.e. two whites or two reds. Get two wine glasses while you’re at it. Pour yourself a glass of wine and study the color. Many people tilt the glass at a forty-five degree angle and look down through the wine where it is not very deep against the glass. That, along with a nice white background, will often help you see the colors better. Where would you put the color of this wine on our color spectrum? (If your eyes cannot tell the difference between a red wine and a white wine, please go have your vision checked by a competent and qualified medical professional. Seriously. Go ahead, the rest of us will wait.)

Now pour the second class of wine and study its color. Is it different from the first wine? Hopefully it is. If you remember back to grade school, you wrote plenty of papers where you were told to compare and contrast two things. Write yourself a mental paper comparing and contrasting the color of the two wines. Or, if you want, write it down on real paper. Or in your word processor. Whatever. Are you able to explain the differences and similarities using words? Good!

Okay–this is the last time I will ask. Did you finish your wine-less two weeks yet? If so, you get to drink one or both glasses that you poured for this exercise. If not, you’re going to have to be patient and wait until the two weeks is up before you get to taste the wines. Sorry–but you really need to stick to the program!

Leave a comment or two to let us know how your color study is going. Or are you just blowing it off?

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